Tag Archives: Close Reading

The Baffling Yarn Sails in Circles

Finnegans Wake II.3 is the longest chapter in the book: it’s nearly 1/6 of the length of the whole work. It’s also the densest chapter. The study chapter (II.2) may be the hardest to read, but I think this chapter is as dense as it gets. Words seem more packed with meaning than usual. The narrative, such as it is, continually confuses the present with the past. More so than any other chapter, it is a microcosm of the whole book.

Continue reading

He Lifts the Lifewand

…and the dumb speak.

Finnegans Wake is the closest I’ve ever seen to capturing on the page the very essence of what language is — in this book, arguably no one is speaking but language itself, to itself, unmasking the process by which language, the chattering river of the unconscious mind, produces selfhood.

The “quoiquoiquoiquoiquoiquoiquoq” that ends Chapter 7 is, presumably, the speaking of the dumb. The “dumb” are all those who are unable to speak, but the word might also denote people who are not all that intelligent. Yet even people who lack intellectual accomplishments still, in terms of the Wake, embody the same Eternal story. And so the artist allows them to speak, through him.

Continue reading

Shun the Punman

“Shem is as short for Shemus as Jem is jokey for Jacob.”

Thus begins James Joyce’s parody of himself, which is an exploration of how “Shem the Penman” is a gross, smelly weirdo whom no one likes. 

Shem is one half of HCE, the introverted and artistic side of human nature. His brother, Shaun, is the extroverted and practical side.

Continue reading