The movie Backrooms made a splash this month, turning a massive profit on a meagre budget of less than ten million dollars. The film is noteworthy because it was made by a twenty-year-old Youtuber, who was also responsible for a series of short videos about the titular extradimensional space.
This post suggests that Finnegans Wake can be read as a kind of “backrooms,” a maze that underlies reality.
Continue readingYou can read the previous entries on this subject here and here. In those posts, I sketch out the idea that the naked body is a symbol in the Wake for art, while clothing is a symbol for the facts of reality. The Wake suggests that, in a sense, fiction is “truer” than fact, for art contains the patterns that repeat with variations in life, the same anew.
This post extends my thoughts on this subject.
Continue readingThis post continues to look at instances of clothing in the Wake, building on my discussion in my last post.
Continue readingIn one version of HCE’s story, he is attacked by three soldiers and/or is witnessed committing his unnamed crime by them.
These three figures symbolically correspond to HCE’s two sons, Shem and Shaun (his introverted and extroverted aspects), plus their combined form. This combined form appears as a Cad in the Park who accosts HCE in other versions of the story (he additionally corresponds to Tristan, who cuckolds HCE after his fall and then becomes the next HCE in the next cycle).
The three soldiers are also called three tailors. They spread stories and rumors about HCE, so they are tale-ers, but they are also the energies that weave the “suit” of life for him, the circumstances of his life, and his body (which is also the court suit brought against him, representing our tendency to attack ourselves for our guilt and to scapegoat others).
In their aspect as tailors, they are like the Three Fates in Greek mythology, weaving the thread of existence until the appointed time comes for it to be cut.
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The Suspended Sentence 